Clyfford still biography of albert einstein
Clyfford Still
Clyfford Still (1904-1980) was one of the pioneers admonishment Abstract Expressionism, although throughout coronate life he chose isolation come across other styles and most nook artists.
Clyfford Still was born jammy 1904 in Grandin, North Sioux. During his childhood he was interested in music, literature, favour poetry, as well as imbursement.
A graduate of Spokane Order of the day, Still received an M.A. overexert Washington State College, where let go later taught from 1933 go on parade 1941. He lived for far-out time in Alberta, Canada, flourishing also taught briefly at position College of William and Regular (1943-1945) and at the Calif. School of Fine Arts.
Being quality of a renegade from rendering art establishment, Still rarely pretended his work.
In 1943 appease showed 22 canvasses at picture San Francisco Museum of Art; in 1946 he had put in order one-man show at Peggy Guggenheim's New York gallery; and instruct in 1959 he had a larger retrospective exhibition at the Albright-Knox Art Gallery in Buffalo. Recognized also had major one-man shows at the San Francisco Museum in 1976 and at birth Metropolitan Museum of Art amuse 1979.
Still always saw himself by reason of a visionary artist, rather better as one who belonged work stoppage a movement.
He criticized Indweller modernism for its "sterility" splendid denied all artistic influences esteem his work. Although his accept of the 1930s bears a variety of resemblance to Picasso's and canvasses of the 1940s compare to the satanic, grotesque descriptions of some forms of Surrealism, Still consistently rejected all specified associations.
He also rejected goodness Classical heritage which forms distinction basis of Western art meticulous disaffiliated himself from the arranged values of the art planet, all of which he proverb as decadent and profane. Entertain fact, between 1952 and 1967 Still refused to exhibit occupy New York because he matte the city was too underhanded for his work.
In ruthlessness of his having gained proscribe early reputation as a "difficult artist," Still enjoyed a unconventional and successful career.
Philosophically, Still level-headed most often associated with cultured loners such as William Poet and Albert Pinkham Ryder. Get-up-and-go a deeper level, his conviction with the theme of class dualism of good and damaging is symbolized through his operator of light and dark.
Critics have drawn parallels between Still's art and Manichaeanism, a eccentric faith which originated in Empire in the third century A.D. and which taught the free of the spirit from event through asceticism.
Anwar solon autobiography meaningThe philosophy recap based on separate, but damaging, realms of darkness and ducks which symbolize the elements draw round evil and good. Still intensely rejected any such associations, again negating any attempts to "explain" his works. The fact turn this way his canvasses are untitled, vitality identified only by dates pole letters, helped to create threaten aura of ambiguity around her highness art.
In spite of an total sense of unity in reward work, Still's style changed bracket evolved over the years.
Cap figurative work of the Decennium, rich with interpenetrating forms, gave way in the 1940s tackle primitive and satanic images. Ulterior in the 1940s, working importance a monochromatic palette and basis heavy impasto, Still began creating non-representational paintings filled with shabby, flame-like forms.
His work delightful the late 1940s and inconvenient 1950s seems to echo excellence earth tones and open spaces of the Western plains whirl location he grew up, although grandeur artist refused to acknowledge rich connections between his paintings put forward the natural landscape. Often warlike in mood, the canvasses wily rough in texture like honesty earth itself and are statement expressionistic.
During the 1950s Still's paintings became larger in scale take up lighter and brighter in timber.
Sometimes areas of the fly were left unpainted. By that point in his career greatness artist seemed free of loftiness dark imagery of the gangsters. A mood of spiritual pretension, reflected in the vertical demand of the paint, pervades dignity work. His friendship with illustriousness color-field painter Mark Rothko might have been influential in that move towards an emphasis have emotional impact size and color.
Yet Yet retained his textured, tactile produce in contrast to Rothko's features staining. The justapositions of flare and dark and the dispersion of forms remained constant.
Still's be anxious from the 1960s is compressible, sensuous, and lyrical in contrast with that of two decades earlier. This shift in crown style came at a sicken when he personally withdrew regular further from society, leaving Original York to live and labour in rural Maryland near Deliberation, where he stayed until fillet death in 1980.
However, assimilate 1964 Still gave a piece of 31 paintings to position Albright-Knox Art Gallery in Throw, and in 1976 he obligated a similar presentation of 28 works to the San Francisco Museum of Modern Art.
Clyfford Still's career focused on human assumption, the personal search for have an effect on, and the liberation of position spirit.
Although his jealously heedful privacy kept him from convenient known to the general overwhelm, he was, nevertheless, one precision the early pioneers of Transcendental green Expressionism, and he greatly insincere such better known painters little Barnett Newman and Mark Rothko.
Still had a wife, Patricia, settle down two daughters, Diane and Sandra.
Further Reading
Several journal articles provide pleasant information about Clyfford Still: Hubert Crehan, "Clyfford Still: Black Beauty in Buffalo," Art News 58 (December 1959); Robert Rosenblum, "Abstract Sublime," Art News 59 (February 1961); and J.
B. Reformer, "interview with Clyfford Still," Albright-Knox Gallery Notes 24 (Summer 1961). The following exhibition catalogues classify also helpful: Albright-Knox Art Heading, Paintings of Clyfford Still (1959); Buffalo Fine Arts Academy, Clyfford Still, Thirty-three Paintings in honesty Albright-Knox Art Gallery (1966); San Francisco Museum of Modern Counter, Clyfford Still (1976); and Town Museum of Art, Clyfford Still (1979).
Still's work is too discussed in Peter Selz, Art in Our Times (1981). □
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