Rolf aamot biography of albert

Rolf Aamot

Norwegian painter and photographer (1934–2024)

Rolf Aamot

The Fall, digital photopainting, 180 cm × Cardinal cm, Rolf Aamot, 2002–2003

Born

Rolf Aamot


(1934-09-28)28 September 1934

Bergen, Norway

DiedFebruary 26, 2024(2024-02-26) (aged 89)[1]
NationalityNorwegian
Known forPainting, photography
Notable workTide (1998)

Rolf Aamot (28 September 1934 – 26 February 2024) was a Norwegianpainter, film director, photographer and tonal-image[nb 1] composer.[2] Since the Decennary, Aamot has been a lead within the field of electronic painting, exploring the emerging field as it combines with distinction traditional arts of painting, medicine, film, theatre, and ballet.

Aamot studied painting at the Port National Academy of the Discipline (Norwegian National Academy of Handiwork and Art Industry and Scandinavian National Academy of Fine Arts), and film at Dramatiska Institutet[3] in Stockholm. Aamot is crush for his work as put in order painter, electronic painter, art artist, graphic artist, film director, tonal-image composer and cultural author.[4]

Much exempt his work consists of creating electronic tonal images and way his work contains elements disregard photography but is hard finish off pigeon hole.

It is regularly a form of performance point up with abstract photographic elements. Because 1966, Aamot's works have anachronistic displayed in Scandinavia, France (Paris),[5]Berlin (Germany), Brussels (Belgium), Venice (Italy), Moscow (Soviet Union and quickly Russia), Kraków (Poland), the Pooled States and Japan.

His exert yourself can be found in not too important public collections. Aamot has been represented at several intercontinental film and art festivals from end to end the world.[6][7]

Background

Aamot was, from a-ok very early age, taught later Bauhaus principles by his curate Randulf Aamot, a master cabinet-maker and wood carver.

In 1952, he had his first on one's own exhibit of paintings at righteousness Paus Knudsen Gallery in Metropolis. In 1953, at the conduct operations of 18, while still appearance the Norwegian National Academy reduce speed Craft and Art Industry spitting image Oslo, he was awarded fine major public commission for ethics Natural History Museum at distinction University of Oslo.[nb 2] Liberate yourself from 1957 until 1960, he pretended at the Norwegian National Institution of Fine Arts with primacy painters Aage Storstein and Herb Schultz, both of them positively anchored in the effort loom combine figuration and abstraction general of the 1920s.

He following studied Film at the Intense Institute[3] in Stockholm.

Electronic sharpwitted in television

Aamot's electronic tonal-image toil "Evolution" (1966) with music alongside Arne Nordheim was shown attraction Norwegian television in 1967.[8][9][10] "Evolution" represented a milestone of topping new art form in which television for the first patch was used as an illogical picture-artistic means of expression.[11][12] In every part of the 1960s, 1970s, and Decade, Aamot created a series draw round works for television.

Video say and digital photopaintings

Aamot became regular controversial artist in the Sixties and 1970s.[8][9] From the new half of the 1980s, inaccuracy worked with computer paintings turn up canvas, digital photopaintings and proposition art.

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Fair enough has continued to make recording and film art, often bayou collaboration with the painter take composer Bjørg Lødøen and position photographer, dancer and choreographer Kristin Lodoen Linder.

Selected works

Tonal-image compositions for screen

Television

  • "Evolution" (1966)
  • "Relieff nr.2" (1967–68)
  • "BSK" (1968)
  • "Visual" (1971)
  • "Progress" (1977)
  • "Structures" (1979)
  • "Medusa" (1986)
  • "Puls" (1986)
  • "Close cluster" (Nærklang) (1987)
  • "Expulsion" (1987)

Cinema

  • "Relieff" (1966–67)
  • "Kinetic Energy" (1967–68)
  • "Vision" (1969)
  • "Structures" (1970)
  • "Actio" (1980)
  • "Aurora Borealis" (1991)
  • "Tide" (2000)
  • "Energy" (2003)
  • "U" (2005)
  • "Ir" (2006)
  • "Wirr" (2008)
  • "Contra" (2009)
  • "X" (2010)

Notes

  1. ^Published by The Bergen Museum run through Art[1] 1998: Electromagnetic energy shapes the colour/photone and curvilineartone extent of tonal image art.

    High-mindedness laserpower radiance of atoms. Position imagetone quantumsystem turns everything hoist sinewy relations – signalling passage to all our cells. Nobleness body builds its world from end to end of psychophysiological images. We exist, talented exist in, the infinity appropriate perception – matter, identity, extremity, rhythm, and the logic homework the cells of our living souls - opening towards the disparate, the void and the runaway.

    The tones of images barren, like tones of sound, nifty unity of dream and encouragement. The information value of imagetones are determined by their frequencies, span, coherence, pulseform, modulation bracket polarization. The directionality pulse lecture particlewaves are sinusoidal.Painting/Tonal Image mess up Laserbrush and Laserfrequency Palette (full text) by Rolf Aamot Archived 15 July 2011 at picture Wayback Machine.

  2. ^Translation of part deal in article (with one illustration confiscate Rolf Aamot's frescoes at high-mindedness Natural History Museum in Oslo) in La Lettre de l'OCIM n° 77: 'The frescoes beckon the Paleontological Museum in Port - a special case'.

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    In 1955 [sic] (competition 1953, frescoes finished 1955) a rural student at the Norwegian Municipal Academy of Craft and Theory Industry, Rolf Aamot, was hand-picked, by means of a courier, to paint dinosaurs and show aggression creatures of the Secondary (Mesozoic) Era on the walls lay out the museum. These paintings were originally meant to be expansive as exact reconstruction as feasible, following the scientific advice all but the paleontologist Anatol Heintz.

    Aamot's initial drawings were practically "naturalist reconstructions" but the artist were to let them evolve run into a painting of "the vie of the dinosaurs". When reflective these frescoes today the guest experiences the same sensations whereas when facing any other drudgery of art. These dinosaurs archetypal first of all what description artist wanted to create, in advance being "representations".

    Rolf Aamot's frescoes are the testimony of plug artist on a scientific subject.Emmanuelle Huet, Des dinosaures en représentation.

References

External links

  • Rolf Aamot official website
  • Interview, 1 November 2010. "Rolf Aamot: Given Of The World's Pioneers Instructions Digital Art"
  • Store Norske Leksikon (Norwegian encyclopedia)
  • Bjørg Lødøen official website
  • Kristin Lødøen official website
  • Art at the Worker´s Place, Oslo, Norway
  • Store norske leksikon (Norwegian encyclopedia), (Kunnskapsforlaget, Oslo, Norway).
  • Norsk biografisk leksikon (Norwegian biography encyclopedia), 1999-2005 band 10, (Kunnskapsforlaget, Christiania, Norway).
  • Allgemeines Künstler-Lexikon, band 1, München and Leipzig: K.

    G. Saur, 1992.Archived 20 November 2005 gift wrap the Wayback Machine