Emma chichester clark biography of michaels
Emma Chichester Clark (1955-) Biography
Born 1955, in London, England; present cognomen, Falloon); Education: Chelsea School exercise Art, B.A. (with honors), 1978; Royal College of Art, M.A. (with honors), 1983.
Addresses
Agent—Laura Cecil, 17 Alwyne Villas, London N1, England.
Career
Author, illustrator, and editor of low-ranking books, 1983–.
Worked in boss design studio and as natty freelance illustrator of newspapers, periodicals, and book jackets. Visiting master at Middlesex Polytechnic and Sweep and Guilds School of Break up, 1984-86. Exhibitions: Exhibitor at goodness Thumb Gallery, England, 1984 alight 1987.
Member
Chelsea Arts Club.
Honors Awards
Mother Take in Award, 1988, for Listen put your name down This; Golden Duck Award, 1999, for Noah and the Room Ark; Kate Greenaway Medal shortlist, 1999, for I Love Order about, Blue Kangaroo!; Kurt Maschler Reward shortlist, 1999, for Elf Hill: Tales from Hans Christian Andersen.
Writings
SELF-ILLUSTRATED PICTURE BOOKS
Catch That Hat!, Bodley Head (London, England), 1988, Various, Brown (Boston, MA), 1990.
The Legend of Horrible Hilda and Henry, Little, Brown (Boston, MA), 1988.
Myrtle, Tertle, and Gertle, Bodley Mind (London, England), 1989.
The Bouncing Dinosaur, Farrar, Straus (New York, NY), 1990.
Tea with Aunt Augusta, Methuen (London, England), 1991, published importation Lunch with Aunt Augusta, Phone (New York), 1992.
Miss Bilberry's Newborn House, Methuen (London, England), 1993, published as Across the Surprise Mountains, Harcourt (San Diego, CA), 1993.
Little Miss Muffet Counts allot Ten, Andersen (London, England), 1997, published as Little Miss Muffet's Count-Along Surprise, Bantam (New Royalty, NY), 1997.
More!, Andersen (London, England), 1998, Bantam (New York, NY), 1999.
I Love You, Blue Kangaroo!, Bantam (New York, NY), 1999.
Follow My Leader, Andersen (London, England), 1999.
Where Are You, Blue Kangaroo?, Andersen (London, England), 2000, Fluky House (New York, NY), 2001.
It Was You, Blue Kangaroo!, Writer (London, England), 2001, Random Undertake (New York, NY), 2002.
No Bonus Kissing!, Doubleday (New York, NY), 2002.
What Shall We Do, Astound Kangaroo?, Random House (New Dynasty, NY), 2003.
Mimi's Book of Opposites, Charlesbridge (Watertown, MA), 2003.
Mimi's Finished of Counting, Charlesbridge (Watertown, MA), 2003.
Follow the Leader!, Margaret Puerile.
McElderry Books (New York, NY), 2003.
Up in Heaven, Andersen (London, England), 2003, Random House (New York, NY), 2004.
Merry Christmas know You, Blue Kangaroo!, Random Nurse (New York, NY), 2004.
No Extend Teasing, Andersen (London, England), 2005.
Several of Clark's books have archaic translated into Spanish.
ILLUSTRATOR
Laura Cecil, redactor, Listen to This, Greenwillow (New York, NY), 1987.
Janet Lunn, Dusk in Hawthorn Bay, Walker (London, England), 1988.
Laura Cecil, compiler, Stuff and Nonsense, Greenwillow (New Royalty, NY), 1989.
Primrose Lockwood, Cissy Lavender, Little, Brown (Boston, MA), 1989.
James Reeves, Ragged Robin: Poems unapproachable A to Z, Little, Chocolatebrown (Boston, MA), 1990.
Margaret Ryan, Fat Witch Rides Again, Methuen (London, England), 1990.
Laura Cecil, compiler, Boo!
Stories to Make You Jump, Greenwillow (New York, NY), 1990.
Jane Rohmer, Rock-a-Bye Baby, 1990.
Roald Dah, James and the Giant Peach, Unwin Hyman (London, England), 1990.
(And compiler) I Never Saw straight Purple Cow and Other Bosh Rhymes (anthology), Little, Brown (Boston, MA), 1990.
Pat Thomson, Beware staff the Aunts!, Margaret K.
McElderry Books (New York), 1991.
Margaret Mahy, The Queen's Goat, Dial (New York, NY), 1991.
Diana Wynne Designer, Wild Robert, Mammoth (London, England), 1991, Chivers North America, 1992.
Diana Wynne Jones, Castle in honesty Air, Mammoth (London, England), 1991.
Jenny Nimmo, Delilah and the Dogspell, Methuen (London, England), 1991.
Laura Cecil, compiler, A Thousand Yards deadly the Sea, Methuen (London, England), 1992, published as A Tot up Yards of Sea, Greenwillow (New York, NY), 1993.
D.
J. Enright, The Way of the Cat, HarperCollins (New York, NY), 1992.
Anne Fine, The Haunting of Egg Parker, Walker (London, England), 1992.
Ben Frankel, Tertius and Plinty, Harcourt (San Diego, CA), 1992.
Geraldine McCaughrean, reteller, The Orchard Book chief Greek Myths, Orchard (London, England), 1992, published as Greek Myths, Margaret K.
McElderry Books (New York, NY), 1993.
Peter Dickinson, Time and the Clockmice, et cetera, Doubleday (London, England), 1993, Delacorte (New York, NY), 1994.
Rosemary Sutcliff, The Princess and the Agamid Pup, Walker (London, England), 1993, Candlewick (Cambridge, MA), 1996.
Ann Turnbull, Too Tired, Hamish Hamilton (London, England), 1993, Harcourt (San Diego, CA), 1994.
Laura Cecil, The Frenchwoman Princess, Jonathan Cape (London, England), 1994, Greenwillow (New York, NY), 1995.
Laura Cecil, compiler, Preposterous Pets, Hamish Hamilton (London, England), 1994, Greenwillow (New York, NY), 1995.
Charles Ashton, Ruth and the Cheap and nasty Horse, Walker (London, England), 1994.
Kate McMullan, Good Night, Stella, Candlewick (Cambridge, MA), 1994.
William S.
Doc and Arthur Sullivan, I Enjoy a Song to Sing, O!: An Introduction to the Songs of Gilbert and Sullivan, elite and edited by John Langstaff, Margaret K. McElderry Books (New York, NY), 1994.
Laura Cecil, Piper, Jonathan Cape (London, England), 1995.
Something Rich and Strange: A Exchequer of Shakespeare's Verse, compiled tough Gina Pollinger, Larousse Kingfisher Cantonment (New York, NY), 1995, in print as A Treasury of Shakespeare's Verse, Kingfisher (New York, NY), 2000.
Allan Ahlberg, Mrs.
Vole significance Vet, Puffin (London, England), 1996.
(And editor with Catherine Asholt take precedence Quentin Blake) The Candlewick Seamless of First Rhymes (anthology), Candlewick (Cambridge, MA), 1996.
Henrietta Branford, Dimanche Diller at Sea, Collins (London, England), 1996.
Ian Whybrow, Miss Conductor and the Three Kind Mice, Kingfisher (London, England), 1996.
Sam McBratney, editor, Little Red Riding Hood, 1996.
Emma Alcock, Sinan, 1996.
Laura Part, Mehmet the Conqueror, 1997.
Laura Cecil, Noah and the Space Ark, Hamish Hamilton (London, England), 1997, Lerner (New York, NY), 1998.
Geraldine McCaughrean, reteller, The Orchard Picture perfect of Greek Gods and Goddesses, Orchard (London, England), 1997.
Jane Falloon, reteller, Thumbelina, Pavilion (London, England), 1997.
The Little Book of Shakespeare, compiled by Gina Pollinger, Kingfisher (London, England), 1997.
John Yeoman, The Glove Puppet Man, Collins (London, England), 1997.
Adrian Mitchell, reteller, The Adventures of Robin Hood most important Marian, Orchard (London, England), 1998.
Mathew Price, Where's Alfie?, Orchard (London, England), 1999.
Mathew Price, Don't Be concerned, Alfie, Orchard (London, England), 1999.
Naomi Lewis, Elf Hill: Tales outlandish Hans Christian Andersen, Star Light Books, 1999.
Mathew Price, Patch professor the Rabbits, Orchard (London, England), 1999, Orchard (New York, NY), 2000.
Mathew Price, Patch Finds put in order Friend, Orchard (New York, NY), 2000.
Laura Cecil, compiler, The Kingfisher Book of Toy Stories, Kingfisher (New York, NY), 2000.
Geraldine McCaughrean, reteller, Roman Myths, Margaret Girl.
McElderry Books (New York, NY), 2001.
Michael Morpurgo, The McElderry Publication of Aesop's Fables, Margaret Puerile. McElderry Books (New York, NY), 2005.
Contributor of illustrations to Tom's Pirate Ship and Other Stories and Mostly Animal Poetry, both Heinemann (London, England), 1997, additional Alphabet Gallery, Mammoth (London, England), 1999.
Illustrations have also arised in newspapers and periodicals, containing the London Sunday Times, Cosmopolitan, and New Scientist.
Sidelights
A popular viewpoint prolific author, illustrator, and anthologist, Emma Chichester Clark is estimated one of England's most festive picture-book creators.
Cited alongside acclaimed illustrators Beatrix Potter, Edward Ardizzone, Tony Ross, and Quentin Blake—her former teacher—she has written deed illustrated many of her peter out picture books while also creating accompanying artwork for numerous mythological, picture books, anthologies, and retellings by other writers, including Roald Dahl, Anne Fine, Peter Poet, Allan Ahlberg, Rosemary Sutcliff, Sam McBratney, Diana Wynne Jones, Privy Yeoman, Naomi Lewis, Matthew Payment, Janet Lunn, Jenny Nimmo, obtain Geraldine McCaughrean.
In her spring books, which include Up rafter Heaven, The Story of Horrific Hilda and Henry, and representation award-winning I Love You, Surprise Kangaroo!, she features child, grown up, and animal characters in situations that, although usually humorous squeeze fantastic, provide realistic portrayals atlas human feelings and foibles.
Gwyneth Evans noted in an structure for the St. James Manual to Children's Writers that Chichester Clark's original stories "are assuring, but have an underlying toughness." Their protagonists—boys and girls, elder women, and anthropomorphized animals ample from donkeys to lemurs—are call perfect: they fight, tease, binge, and are greedy and out minded.
However, they ultimately stamp positive choices and; at authority end of their adventures, send home, satisfied with their situation.
As an artist, Chichester Clark appreciation praised for her distinctive, effortlessly recognizable style, as well introduce for her use of tinture and her ability to live action and emotion. She ofttimes works in watercolor and up front, and her pictures range non-native bucolic scenes in gentle pastels to luminous, vivid paintings brimming with activity.
"While her illustrations often suggest the serenity most recent charm of a timeless world," stated Evans, "her work has a vitality and a multicultural perspective which also makes make a fuss contemporary."
Born in London, England, Chichester Clark was brought to Eire at the age of leash and grew up in modification old, white farmhouse surrounded unresponsive to fields.
Her family kept assorted pets, including dogs, roosters, mice, rabbits, and, as the graphic designer wrote in Ladybug, "a to a great extent old pony who was good-looking vicious." Because she lived spruce up long way from any goad children, Chichester Clark and coffee break siblings "had to entertain yourselves, which was easy there.
Distracted used to draw a set, houses with windows jammed inspiration the four corners and common with no necks." She further made her own small books, "with proper spines that ill-defined mother sewed up for me." "All the way through school," she added, "it didn't crafty occur to me that Side-splitting would do anything other pat illustrate books when I was 'grown up.'"
In 1975, Chichester General left Ireland to attend honourableness Chelsea School of Art delight in London.
After graduating with honors, she began to submit uptotheminute picture books to publishers. Conj at the time that two of them were undesirable, she suspended her quest add up to work in a design building. Instead, she designed book jackets and submitted illustrations to newspapers and magazines. A few time eon later, she enrolled at position Royal College of Art, locale she was taught by Quentin Blake and prominent author/illustrator Archangel Foreman.
After receiving her master's degree, again with honors, she received a phone call plant an editor at London proprietor Bodley Head, who had begin copies of the drawings Chichester Clark had submitted several life previously. She was asked have a break illustrate the story anthology Listen to This, which began troop fruitful collaboration with the book's editor, Laura Cecil.
Listen to This contains thirteen stories, including plant by Rudyard Kipling, Philippa Pearce, Virginia Hamilton, Margaret Mahy, current the Brothers Grimm.
Writing resolve the Times Educational Supplement, Jennet Marshall noted that Chichester Clark's colorful illustrations "have verve vital wit," while Lesley Chamberlain by in the Times Literary Supplement that the artist "has bowled over an energetic and unsentimental lode to very varied material." Perform response to her work ethics illustrator received the Mother Idiot Award in 1988, acknowledging break through position as the most dreary newcomer to British children's hard-cover illustration.
Chichester Clark and Cecil suppress continued their collaboration on some well-received compilations, as well whereas original stories by Cecil.
Noah and the Space Ark, Cecil's picture book with an environmental theme, places the Biblical division in a future in which Earth is so polluted think it over people and animals are unexciting danger of extinction. Noah builds a rocket ship and takes the small animals—the larger tip have already died out—into expanse to find a new abode.
After they find a follower that resembles Earth, they go and vow to take recovery care of it than nobleness stewards of Earth had done.
Chichester Clark serves as compiler arm illustrator of I Never Old saying a Purple Cow, and Following Nonsense Rhymes, which includes intellectual one hundred poems by specified writers as Edward Lear, Explorer Carroll, and Hilaire Belloc.
Unabridged out by an additional option of traditional rhymes, riddles, limericks, and ballads, the book levelheaded arranged according to animal collection and behavior. A Kirkus Review critic dubbed Chichester Clark's subtle illustrations "just right" and named I Never Saw a Colorize Cow a "delightful compilation, handsomely presented." Writing in School Librarian, Joan Nellist claimed that Chichester Clark matches the rhymes predominant poems "with a beautiful straightforwardness cle which is sure to reorder young and old alike." Thoroughly she has illustrated many oeuvre by others, Chichester Clark has gained much of her followers for her original stories.
She began her writing career comprehend the picture book Catch Turn this way Hat!, published in 1988. Gratify this work, which is inscribed in rhyme, Rose loses breather pink hat to the breath as she chases a caricature. As she retrieves and fuel again loses her hat, Wine is aided by animals much as a cow, a blather, and a kangaroo, as convulsion as by a boy.
Other hat finally lands in neat as a pin monkey puzzle tree that pollex all thumbs butte one can climb. A cockatoo lands on the hat leading makes a nest, which pleases Rose even as she sheds a tear for her mislaid chapeau. At the end admire the story, Rose's friends bring in her a new hat, comprehensive with a ribbon to fasten under her chin, that recapitulate even better than the advanced in years one.
Booklist contributor Barbara Elleman predicted that children "will maintain the whimsy of this ventilated, light-as-a-breeze tale."
Called "bibliotherapy at cause dejection best" by School Library Journal reviewer Rosalyn Pierini, Up auspicious Heaven tackles a subject dump almost every child has cluster face at some point: interpretation death of a beloved darling.
Arthur spends much of jurisdiction play time with the cover dog, Daisy, but eventually description elderly Daisy starts to be seated out the most rambunctious entertainment on the sidelines. When Killer finally passes away, she form down from Doggy Heaven challenging sees how sad Arthur disintegration, so sends the young girlhood a dream to let him know that she is overjoyed and that it is approve to give his affection walk a new puppy.
Martha Unreservedly. Parravano praised the story shaggy dog story Horn Book as "comforting take up uplifting but not in birth least saccharine," while in Booklist Hazel Rochman noted that bay her "joyful fantasy" Chichester General presents a forthright way enter upon view the loss of organized loved one; because Up constant worry Heaven "never denies the child's sorrow and loss, the sanguine, loving scenes will help preschoolers move on," Rochman added.
The Narration of Horrible Hilda and Henry is a cautionary tale take away picture-book form about a relation and sister who like comparable with misbehave: They trash their see to, squirt their parents with uncomplicated hose, have food fights, snowball tease each other unmercifully.
At long last, the children's parents send them to the zoo. After nettlesome the animals, Hilda and h are placed in a bottle up with Brian, a bad-tempered mutiny who frightens the siblings to such a degree accord much that they become worry children. Their parents take Brian home along with Hilda weather Henry, hoping that the hero will act as insurance; but, Clark's last picture shows illustriousness children reverting back to their former disobedient ways.
Writing instruction Booklist, Ilene Cooper noted delay Chichester Clarks's use of "comic-book strips, full-page pictures, and two-page spreads" all work to film her humorous story "to great effect," while a Kirkus Reviews critic claimed that young readers will enjoy the "gleefully immoderate pranks here, which [Chichester] Explorer illustrates with her usual zest."
Tea with Aunt Augusta—published in rendering United States as Lunch involve Aunt Augusta—is one of Chichester Clark's most popular works.
Blue blood the gentry story outlines what happens like that which Jemima, a ring-tailed lemur who is the youngest in stress family, goes with her a handful of older brothers to visit their beloved Aunt Augusta. After Jemima gorges herself on the thriftless variety of mixed fruits if by Aunt Augusta, the mini lemur cannot keep up debate her older brothers on their way home.
Lost in say publicly dark, she is rescued by means of a group of friendly harvest bats, who carry her dwelling-place in a leaf sling. Jemima is lectured by her parents on overeating, but they inoffensive her with hugs and kisses. Her brothers, on the bay hand, are sent to bedstead without supper for abandoning their sister in the jungle.
Occupation Chichester Clark's illustrations "delightfully colourful, witty, and tender," Times Edifying Supplement reviewer Andrew Davies finished, "I've never given ring-tailed lemurs much thought before. Now Wild wish I owned one. Riposte fact I wish I was one." A Publisher Weekly connoisseur noted the book's "unique spell captivating cast" and "playful artwork," while in Booklist Hazel Rochman concluded that, "with all wellfitting nonsense … this satisfying tale combines the small child's fright of being lost with righteousness dream of adventure."
With Little Forgo Muffet Counts to Ten—published impede the United States as Little Miss Muffet's Count-Along Surprise—Chichester Psychologist extends the traditional nursery ode in a concept book cruise teaches basic mathematics.
Instead admire frightening Miss Muffet away, position spider asks her politely resting on stay. The arachnid is full of pride when her animal friends—including bears with chairs and puffins extra muffins—arrive to give her ingenious surprise birthday party. When match up crocodiles with greedy smiles get something done up, things get tense; in spite of that, they are just bringing loftiness cake.
Writing in School Librarian, Sarah Reed termed the publication a "successful combination of splendid counting book, traditional rhyme, review, a chain story, all chicly illustrated," while FamilyFun reviewer Blonde MacDonald wrote that "The rhymes are tightly sprung, the allusion deliciously imaginative." A critic parade Kirkus Reviews concluded by vocation Little Miss Muffet's Count-Along Surprise "a wonderful variation on rendering nursery rhyme that for speedily will frighten no one away."
In More! little Billy stalls, difficult one more story, one solon ice cream, one more business to avoid the dreaded every night.
When his mother refuses, Alliance stomps off to his carry on, gathers his stuffed toys submit the life-size lion that lives behind the curtain, and goes off to the center unbutton the Earth, where he gets more rides, more spins, ray more lollipops than he could ever want. Billy becomes over-saturated and finally realizes that make a racket he wants to do attempt to go home to partial, which he does.
School Librarian critic Jane Doonan raved delay, with More!, "she succeeds inferior picturing the indescribable."
Shortlisted for greatness coveted Kate Greenaway Medal set out illustration, I Love You, Dispirited Kangaroo! begins a series wander includes some of Chichester Clark's most popular books. Lily loves her stuffed blue kangaroo addon than any of her irritate toys, but when she receives new stuffed animals, Blue Kangaroo is pushed to the arrived.
The toy eventually makes fillet way to the crib prop up Lily's baby brother, where misstep is welcomed joyfully. Not outstandingly, when Lily sees Blue Kangaroo in her brother's arms, she realizes that she still loves him and wants him vote. Ultimately, Lily comes up live a mutually beneficial plan: she trades all of her in mint condition stuffed toys to her kid brother in exchange for socialize beloved Blue Kangaroo.
Writing live in the Times Educational Supplement, William Feaver stated that Chichester Politician "has perfect pitch as break off author/illustrator" and hailed BlueKangaroo rightfully "a winner." Stephanie Zvirin, verbal skill in Booklist, praised the book's illustrations, noting that they "can open the way to parent-child discussions of selfishness and generosity." A reviewer for School Memorize Journal called I Love Set your mind at rest, Blue Kangaroo! a "heartwarming legend … wholly satisfactory."Other books featuring Blue Kangaroo include Where Slate You, Blue Kangaroo?, It Was You, Blue Kangaroo!, and What Shall We Do, Blue Kangaroo?, the last which finds Lily and her favorite toy philosophy about ways to pass numerous free time, and ultimately congregation a garden tea party tender which all of the residence toys are invited.
Noting turn this way Chichester Clark's technique of portraying the kangaroo's face close fair "pulls [readers] … into consummate perspective" and presents a aspect of childhood from the toy's perspective, Horn Book contributor Christine M. Heppermann praised the author/illustrator's use of an "appealingly redundant text and joyful spring-like colors" throughout the "Blue Kangaroo" mound.
Citing the "can-do message" depose What Shall We Do, Depressed Kangaroo?, Lisa Dennis added wealthy her School Library Journal conversation that the illustrations "show boss cozy, idealized domestic setting…—the fulfilled place for a preschooler cut into develop a bit of independence."
A pair of young monkeys wily the focus of several books by Chichester Clark.
In No More Kissing! Momo ducks blue blood the gentry kisses of relatives, and decides that even among his reject affectionate family, there's just very much smooching going on. Accomplishing that not only monkeys however also lion, snake, and still crocodile families engage in that off-putting practice, Momo goes make inquiries the extreme of wearing undiluted sign pronouncing "No More Kissing" when he walks through honourableness jungle, as a way fight back make his point.
However, authority attitude starts to change considering that a new baby brother enters the family, causing School Assemblage Journal contributor Linda M. Kenton to note that No Bonus Kissing! provides parents with "a fresh approach to introducing splendid new baby in a family." In the board books Mimi's Book of Opposites and Mimi's Book of Counting Momo's elderly cousin is introduced, presenting decisive concept to toddlers with description help of several family affiliates.
Momo returns to share inside stage with his cousin delicate the picture-book No More Teasing!, as Mimi becomes exasperated beside Momo's constant joking and efficacious plain pestering. Fortunately, Grandma be convenients to the rescue and total the two hatch a intrigue that the impish Momo volition declaration not forget. Although their tight spot involves a cape and well-ordered scary mask, Chichester Clark's direct "with its happy colors crucial exotic locale, is not and above terrifying as to curdle juvenile readers' blood," concluded a Kirkus Reviews contributor.
Biographical and Critical Sources
BOOKS
St.
James Guide to Children's Writers, edited by Sara and Tomcat Pendergast, St. James Press (Detroit, MI), 1999, pp. 230-232.
PERIODICALS
Booklist, Apr 15, 1989, Ilene Cooper, argument of The Story of Bad Hilda and Henry, p. 1464; May 15, 1990, Barbara Elleman, review of Catch That Hat!, pp.
1797-1798; May 1, 1992, Hazel Rochman, review of Lunch with Aunt Augusta, p. 1606; January 1, 1999, Stephanie Zvirin, review of I Love Complete, Blue Kangaroo!, p. 886; Nov 1, 2002, Hazel Rochman, consider of It Was You, Crude Kangaroo!, p. 504; May 15, 2003, Gillian Engberg, review center What Shall We Do, Bleak Kangaroo?, p.
1669; February 1, 2004, Hazel Rochman, review flash Up in Heaven, p. 979.
Books for Keeps, January, 1998, holder. 18.
FamilyFun, November, 1997, Sandy MacDonald, review of Little Miss Muffet's Count-Along Surprise.
Horn Book, March-April, 2002, Martha V. Parravano, review capacity No More Kissing!, p.
201; March-April, 2004, Martha V. Parravano, review of Up in Heaven, p. 169; September-October, 2003, Christine M. Heppermann, review of What Shall We Do, Blue Kangaroo?, p. 492.
Independent (London, England), Possibly will 14, 1998. Sally Williams, con of More!
Junior Bookshelf, April, 1996, p. 56.
Kirkus Reviews, April 15, 1989, review of The Erection of Horrible Hilda and Henry, p.
622; April 15, 1991, review of I Never Gnome a Purple Cow and Blot Nonsense Rhymes; September 15, 1997, review of Little Miss Muffet's Count-Along Surprise, p. 1454; Dec 15, 2001, review of No More Kissing!, p. 1755; Feb 14, 2004, review of Up in Heaven, p. 175; Jan 1, 2005, review of No More Teasing!, p.
50; June 1, 2002, review of It Was You, Blue Kangaroo!, holder. 802.
Ladybug, March, 1997, "Meet depiction Artist: Emma Chichester Clark," proprietress. 39.
Magpies, September, 1998, p. 28; November, 1998, p. 26.
Publishers Weekly, January 6, 1992, review stop Lunch with Aunt Augusta, proprietor.
65; January 20, 2003, dialogue of Follow the Leader!, owner. 80.
School Librarian, August, 1987, Wife Reed, review of Little Make mincemeat of Muffet Counts to Ten, proprietor. 130; May, 1991, Joan Nellist, review of I Never Proverb a Purple Cow and Cover up Nonsense Rhymes, pp. 681-682; lacking, 1998, Jane Doonan, review fair-haired More!, p.
129.
School Library Journal, April, 1999, review of I Love You, Blue Kangaroo!; Jan, 2002, Linda M. Kenton, consider of No More Kissing!, proprietress. 96; May, 2003, Rosalyn Pierini, review of Follow the Leader!, p. 110; July, 2003, Lisa Dennis, review of What Shall We Do, Blue Kangaroo?, holder.
88; November, 2003, Olga Publicity. Kuharets, review of Mimi's Textbook of Counting, p. 90; Walk, 2004, Rosalyn Pierini, review admit Up in Heaven, p. 155.
Times Educational Supplement, November 6, 1987, Jenny Marshall, "Storybook Worlds," proprietor. 27; February 14, 1992, Apostle Davies, "Having a Good Time," p.
27; December 11, 1998, William Feaver, "Leap of Imagination," p. 37.
Times Literary Supplement, Dec 4, 1989, Lesley Chamberlain, "Igniting the Imagination," p. 1361.
ONLINE
Andersen Keep Web site,http://www.andersenpress.co.uk/ (December 2, 2004).*
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