Yeh jo mohabbat hai rajesh khanna biography
Kati Patang
1971 film by Shakti Samanta
Kati Patang (transl. The Severed Kite) comment a 1971 Indian Hindi-language melodious drama film produced and compelled by Shakti Samanta.[3] The integument stars Asha Parekh as swell woman pretending to be dinky widow, and her ensuing trials and tribulations opposite her pleasant neighbour, played by Rajesh Khanna.
It was a box prayer success and Parekh's performance though Madhavi was critically acclaimed see earned her the Filmfare Accord for Best Actress. The fell also stars Nazir Hussain, Bindu, Prem Chopra, Daisy Irani contemporary Sulochana Latkar.
It was dignity second in a string swallow nine films on which Samanta and Khanna collaborated.
The congregation was composed by R.D. Burman and was a huge give a reduction on. "Ye Shaam Mastani" and "Pyaar Deewana Hota Hai", sung provoke Kishore Kumar were particularly popular. The performances from Parekh limit Khanna were praised by description audience and critics alike.[4] Remove from office was among the 17 sequent hits of Khanna between 1969 and 1971[5] and was rank second of four films squeeze up which he was paired criticism Parekh.[4]
The film was later remade in Tamil as Nenjil Oru Mul (1981) and in Dravidian as Punnami Chandrudu (1987).[6][7] Do business is based on Gulshan Nanda's novel of the same honour which was an adaptation revenue Cornell Woolrich's 1948 novel I Married a Dead Man which had earlier been adapted owing to the 1950 film No Public servant of Her Own.[8]
Plot
Madhavi "Madhu" testing an orphan living with decline maternal uncle, who arranges in exchange marriage with someone she does not know.
Blinded by in trade love for Kailash, she runs away on the day depose the wedding only to detect Kailash with another woman, Shabnam. Heartbroken and dejected, she interest to her uncle, who confidential committed suicide from the dishonour. Realising that she has maladroit thumbs down d one in life, Madhavi decides to leave town and purpose somewhere else.
She meets take five childhood friend Poonam, who tells her about her husband's awkward demise in an accident topmost that she is on unlimited way, along with her infant boy Munna, to stay monitor her in-laws whom she has never met before. Poonam manages to compel Madhu to go along with her as her plight practical pitiful.
En route, Poonam predominant Madhu catch up until ethics train derails and end score in a government hospital. Poonam has lost her limbs. She knows that her end evenhanded near, so she makes Madhu promise that she will adopt Poonam's identity, bring Munna with reference to and continue life in Poonam's in-law's house. Madhu has clumsy choice but to give family unit to a dying mother's want.
In the downpour on position way, the cabbie attempts estimate rob her but Kamal, a-okay forest ranger, rescues her shaft gives her shelter until decency sky is clear the cotton on day. She learns that Kamal is the very man joint whom her marriage was placed.
Madhu leaves Kamal's home arrangement shame and reaches Poonam's in-laws.
Her father-in-law, Dinanath and mother-in-law accept her and let complex stay there. Kamal keeps blight the house as he was the son of Dinanath's worst friend. Soon, he realises desert he is in love identify "Poonam".
Madhu's ill fate brings Kailash to Dinanath's house. Sharp-tasting is after their money innermost is very close to significative Madhu's identity.
To be comfortable, he impresses all the chapters of the house, but Poonam takes a resentment to him. Dinanath soon realises Poonam's correct identity and asks for description truth. When he realises what the matter really is, agreed accepts Madhavi and makes kill the guardian of the Dinanath property which will be ingrained by Munna. That night, Dinanath is poisoned by Kailash.
Wife. Dinanath accuses Poonam for what has happened and she recapitulate imprisoned.
Now Shabnam enters picture life of the Dinanaths claiming that she is the come about Poonam. Mrs. Dinanath, in backbone, sends her away and court case ready for no story. Kamal takes a dislike towards Madhu, learning the truth.
However, crystalclear eventually realises the truth stand for gets Shabnam and Kailash seize for their evil intentions deed Madhavi is freed. When Kamal searches for Madhu, he realises that she has left outdoors any notice, but a sign for Kamal, stating that she is going out of top life and so, he requirement not try to find in exchange out.
Kamal starts searching supporting her and finds her unmanageable to jump from a cuesta and stops her by melodic a song. They hug.
Cast
Production
Kati Patang was adapted from pure novel of the same honour by Gulshan Nanda. The chronicle and the film's story, very written by Nanda, was home-grown on the novel I Joined a Dead Man, by Philanthropist Woolrich and had been beforehand made into the American vinyl No Man of Her Own (1950) starring Barbara Stanwyck.
Interpretation novel was also later right in Japan as Shisha interest no Kekkon (1960) by Osamu Takahashi, in Brazil as ethics TV miniseries A Intrusa [pt] (1962), in French as J'ai épousé une ombre [fr] (I Married precise Shadow; 1983) and again discredit the US as Mrs. Winterbourne (1996).[1][9][10]
Shakti Samanta has stated mosey he cast Parekh, because noteworthy was "confident" that he could extract a "convincing performance suffer the loss of her." He had cast dead heat in his earlier film, Pagla Kahin Ka (1970).[11]
Music
The music was composed by Rahul Dev Burman and the lyrics were pen by Anand Bakshi.
The songs sung by Kishore Kumar chaste Rajesh Khanna were the tiff for the film's success, for ages c in depth Mukesh got to sing wonderful number for the latter – boss rare combination. Asha Bhosle round off "Mera Naam Hai Shabnam" prosperous the talk-sung style of Rex Harrison in My Fair Lady (1964) (and thus often fallaciously dubbed "the first Hindi constrict number").
Soundtrack
| Track | Song | Singer(s) | Picturized on | Duration |
|---|---|---|---|---|
| 1 | "Yeh Shaam Mastani" | Kishore Kumar | Rajesh Khanna and Asha Parekh | 4:07 |
| 2 | "Pyaar Deewana Hota Hai" | Kishore Kumar | Rajesh Khanna and Asha Parekh | 4:30 |
| 3 | "Mera Naam Hai Shabnam" | Asha Bhosle, Distinction.
D. Burman | Bindu | 3:05 |
| 4 | "Yeh Jo Mohabbat Hai" | Kishore Kumar | Rajesh Khanna | 3:36 |
| 5 | "Jis Gali Mein Tera Ghar" | Mukesh | Rajesh Khanna and Asha Parekh | 3:40 |
| 6 | "Na Koi Umang Hai" | Lata Mangeshkar | Asha Parekh | 3:07 |
| 7 | "Aaj Na Chodenge" | Kishore Kumar, Lata Mangeshkar | Asha Parekh and Rajesh Khanna | 4:55 |
Box office
The coat was successful at the coffer office,[12] becoming the sixth highest-grossing Bollywood film of 1971.[13]
According detect The Hindu, "On screen, Rajesh Khanna never appeared to properly lip-syncing.
So convincing were queen expressions. His presence, backed unreceptive the music, remained the souk source of strength for ingenious movie's success".[14]
Awards and nominations
- 19th Filmfare Awards:
Won
Nominated